Writing

2017

Graphic Matters Column: Cultural Relevance in the Digital Age: Emotiki, Design Assembly

How New Zealand’s Millennial Artists are Confronting Generational Stigma, GARAGE Magazine, VICE

Bananarama (Janet Lilo Feature), Paperboy Issue 14 September 2017, p. 26-31

Campaigns of Hope: Considering Quest and I Am Not Your Negro, The Pantograph Punch

Graphic Matters Column: The Reorientation of Objectspace: In Conversation with Kim Paton, Design Assembly

The Artist as Technician: Considering China’s Van Gogh and Art and Craft

Aotearoa Design Thinking Series: Wearing Dissent: The Politics of the T Shirt, Design Assembly

The ‘D’ Word: In Conversation with Alice Canton, The Pantograph Punch

Empowering Bright-eyes: A Review of #keeponkimiora, The Pantograph Punch

“Let Beryl and I sort it out”: On Len Lye and Friendships, The Pantograph Punch

Welcoming Internationality: In Conversation with Artspace’s Incoming and Outgoing Directors, The Pantograph Punch

In my house now (on FAFSWAG’s VICE documentary), Paperboy Issue 11 May 2017, p. 20-25

Aotearoa Design Thinking Series: Beyond the Frangipani: Pacific Designers on Pacific Design, Design Assembly 

Why Can’t We All Just Get Along? The Curatorial Edition, The Pantograph Punch

Graphic Matters Column: Challenge to the Industry: 5 Things Worth Sharing from DA Conversations, Design Assembly

Reimagining the Matriarchy: One GIF at a Time, Runway #33 Power

Aotearoa Design Thinking Series: Turning the Pages, Design Assembly

Waking Giants: The Politics of Existing, The Pantograph Punch

Graphic Matters Column: A Nation in Drawing: An Homage to Footrot Flats, Design Assembly

An Homage, a Beacon: On Michael Parekowhai’s ‘The Lighthouse’, The Pantograph Punch

Exhibition Essay for Yuki Kihara’s Der Papālagi (The White Man) at ST PAUL St Gallery

Graphic Matters Column: It’s time to catch up: Issues of diversity and representation, Design Assembly

Caught in the thirst trap: White gaze on black bodies, The Pantograph Punch 


2016

Allyship, not ownership: on good curatorship, and being tauiwi, The Pantograph Punch

Mere pockets of aspiration: A review of Potentially Yours, The Coming Community, The Pantograph Punch

State of Play: A Review of Johnson Witehira’s ‘Half-blood’, The Pantograph Punch

Two perspectives on ‘New Perspectives’, The Pantograph Punch

Design by (dis)location, Catalogue essay for Beauty is in the street exhibition at Objectspace

Scepticism and Community: Considering Howick’s Malcolm Smith Gallery, The Pantograph Punch 

Church and State: ‘Janet Lilo: Status Update’ the Publication, The Pantograph Punch

Young Mums, the Arts Ecology and ‘Being Radical’, The Pantograph Punch 

Safety in Numbers: Poly Twitter and carving out digital space, The Pantograph Punch

My DNA results are in. I’m whiter than the milkman., E-Tangata

The Changing of the Seas: Notes from the Pacific Arts Association Symposium, The Pantograph Punch

Is my identity in my DNA?, E-Tangata

Reinstating the smoko, Un Magazine Issue 10.1, p. 52-58

East Goes West, Art New Zealand Issue 157, p. 85-87

Fomenting and Formation: How Tanu Gago took over the Pah Homestead, The Pantograph Punch

The Engagement Exercise, The Pantograph Punch


2015

Body Language with Louisa Afoa, Enjoy Occasional Journal

Critical Response to TEZA: Who is it for?, TEZA

Review of These stories began before we arrived at Te Tuhi Offsite, Hashtag500words

Dinner Party Politics, Hashtag500words

Exhibition Text for Darcell Apelu, Make Me at Tauranga Art Gallery Toi Tauranga

Ray Haydon, 20/20, (Sanderson Art Gallery: Auckland), p. 53-59

Fish Eye’s by Lonnie Hutchinson, Circuit

When Discourse is only about Discourse, Review of Since 1984: He aha te ahurea-rua? at St Paul St Gallery, EyeContact

Foreword, Free For All, (Hashtag500words: Auckland), p. 5-7

Decolonisation Frameworks: Indigenous Curatorial Practice, Runway # 27 Outside

Review of Martin Langdon and Jonathan Jones at Papakura, EyeContact

From Oakland to Auckland exhibition essay for Emory Douglas, Mangere Arts Centre Ngā Tohu o Uenuku

Cultural Insecurity, Their world was anything but tiny, (Tautai Contemporary Pacific Art Trust: Auckland), p. 12-13


2014

The Back-Patting Society: Letter from the editor, Hashtag500words

Review of Poly Typical at Fresh Gallery Otara, Hashtag500words 

Review of Making Visible at Franklin Arts Centre, Hashtag500words

Commentary on Offstage6 at The Plantation, Tautai Quarterly Newsletter December 2014

Two Tongan Contemporary Art Publications, review of the Tonga’I Onooponi: Tonga Contemporary and Tauhi Va catalogues, EyeContact 

Fresh’s Local Exotic review of The Suburban Floral Association with Janet Lilo’s The Floral Show Local Exotic Curated by Ariane Craig-Smith at Fresh Gallery Otara, EyeContact


2013

#firstworldproblems: POST TERTIARY DEPRESSION, Tautai Artspace Writing Programme 2013 Publication

Closer to home at St Paul St Gallery, Tautai Quarterly Newsletter

Hit me with your best shot a show by Janet Lilo at The Physics Room, Circuit

The Lab as a part of the 5th Auckland Triennial at The Auckland Art Gallery Toi o Tāmaki, Hashtag500words

Model Home by Michael Lin at The Auckland Art Gallery, Hashtag500words

Response to Right of way a show by Janet Lilo at Artspace, Hashtag500words 

Review of The Factory by Kila Kokonut Krew at Q Theatre, Hashtag500words 

Review of Foreigners Everywhere by Claire Fontein at The Auckland Art Gallery, Hashtag500words 


2012

Commentary on HomeAKL at The Auckland Art Gallery, Tautai Quarterly Newsletter

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