Hi, I’m Lana, an editor, critic and author based in Tāmaki Makaurau Auckland. Welcome to my website, please don’t hesitate to get in touch about enquiries or future projects.
Lana Lopesi is an art critic and author of False Divides (2018, BWB) and Bloody Woman (forthcoming, BWB). Currently Lana is Editor-in-Chief for the Creative New Zealand Pacific Art Legacy project, the first comprehensive Pacific art history told from the perspective of the artists. Previously Lana was at The Pantograph Punch as the Editor-in-Chief (2017–2019). Before that, she was Founding Editor of #500words (2012–2017) and Editor of Design Assembly (2018). Lana’s writing has featured in a number of magazines, journals and publications in print and online as well as in numerous artist and exhibition catalogues.
Lana is currently a PhD Candidate at Auckland University of Technology focused on Moana cosmopolitanism and contemporary art. There she is also a researcher for the Vā Moana / Pacific Spaces research cluster – an international research platform engaging Pacific and Western thought to investigate Vā Moana or Pacific Spaces.
Lana also served as a judge for the Best Writing by a NZ Māori or Pacific Islander category for the Art Association of Australia and New Zealand awards (2018) and the Illustrated Non-Fiction Award for the Ockham NZ Book Awards (2020).
She is also part of a global Indigenous Curatorium who first formed to curate the exhibition The Commute at the Institute of Modern Art, Brisbane (2018) with subsequent projects including Layover at Artspace Auckland (2019) followed by Transits and Returns at Vancouver Art Gallery (2019).